|

|

Everyone's
favorite spandex-wearing, wrist mucus-flinging genetic mutant returns in this summer's most anticipated sequel. Spider-Man
2 has our webslinger beating a fat eight-armed man senseless
while continuing his brave struggle to stay out of his girlfriend's
pants.

Kirsten Dunst's visibly benippled breasts reprise
their character from the first Spider-Man as Mary Jane Watson's
visibly benippled breasts. To achieve this special effect, director
Sam Raimi shot all of Dunst's scenes in a walk-in meat freezer using
a technique he invented for the film, which fires the camera at
high velocities directly at what insiders have dubbed "Dunst's
huge big boobs."
 |
|
|
 |
|
|

Hard-core comic book loyalists were outraged by the factual errors
in the first Spider-Man (Spider-Man used mechanical web dispensers
in the film, while in the comics he uses web glands he obtained in
Spectacular Spider-Man #213 when he flew through a wormhole back to
his home planet of Krypton, thus technically possessing the glands prior to the events of the film due to a time rift reversal explained in detail in
Web of Spider-Man #331 and referenced in the 1981 cross-over special
Spider-Man vs. CamelToe). Will they be equally
upset by by the addition of Captain Bananapants, Spider-Man's
web fluid-carrying baboon assistant? Or the revelation during the
credits that, in reality, Spider-Man is an actor in a faggy costume?
Only time will tell.
|

|

Halle
Berry stars as Catwoman in a last attempt to make the Academy
feel ridiculous for giving an Oscar to someone who fans out scripts on her living room floor,
spins around until dizzy, then points.

Catwoman became a laughing stock when photos of Berry's
costume (right) were released, boldly reinterpreting the
heroine as some sort of crime-fighting badger. It isn't clear what
the director (the made-up sounding Pitof) was going for with
the new look—though we doubt "making our dicks laugh" was anywhere
close.
Based on our own fond pubescent memories of Michelle Pfeiffer
slinking around licking herself in Batman Returns,
Pitof's decision to make Berry's updated outfit 100% erection-proof
is either evidence that the man has no genitals, or that spends his
leisure time slapping them against people who aren't women.

The real shock here is that Warner Brothers even hired Pitof—a man
whose highest profile job was FX Coordinator for the French
live-action fruitfest
Astérix et Obélix contre César. It's like Mom always said:
if you hire Prince to redesign your kitchen, don't be
surprised when he replaces the oven with an enormous vagina-shaped
piano. Pitof, this is for your benefit:
HANDY
CLIP-'N'-SAVE BONER REFERENCE CHART
|
GOOD.

|
AGH!
NO! WRONG!

|
|
GOOD.

|
WHAT?
NO! FUCKING STOP IT!

|
|

|

In a world where robots are a household item, Will Smith
must stand alone in his quest to give hip-hop back-talk to stodgy
old white people.

Smith stars as a detective in 2035 who must help put down an uprising
of robots demanding civil rights after decades of slavery. "Yo,
I got your equal rights," Smith says, smashing one android
with a devastating uppercut from his right fist. "I got a few lefts,
too!" Will Smith seize his destiny and keep the robots in their
rightful place as laborers, or will the silicon hordes overrun society,
sating their perverse lust for human women and cybermelons?
The
trailer for I, Robot may be the most spectacular of the season,
portraying one scene where Smith detonates CGI robots for protest
marching on Washington, and another where he fries the circuits
of an android who refuses to move to the robots-only section at
the back of the hoverbus.

Rumors abounded about Smith's sexuality after he was discovered
in a compromising position with a cyborg prop that had been designed
to look exactly like himself.
|

|


Filmed on a
budget of only $27,000, Matt Damon's The Bourne Supremacy cut
costs by editing in over 60% of its content from the first Bourne
film. Sharp-eyed fans will notice, for instance, that both
film stage their action-packed conclusion in the Oval Office, and contain the line of dialogue "Take the ham outta your
ass, Mr. President! We got work to do!"

With its release
just ahead of Ben Affleck's political thriller
Red Rabbit, Bourne Supremacy has apparently strained the
pair's friendship to its breaking point. Affleck was so infuriated,
in fact, that he threatened to cancel all future film projects with
Damon in favor of other movies, until he remembered he was Ben
Affleck and that "other projects" would mean amateur pornography.

The feud came to a head on the set of Supremacy, when Affleck
showed up drunk and tried to break Damon's concentration,
stage-whispering the addendum "How ya like them apples?" to every
line of dialogue Damon spoke. The matter soon dissolved to
fisticuffs, and cast and crew alike surrounded the pair to cheer on
the fight. As the scuffle degenerated from punching to light slaps,
however, then long stares, then finally slow, shirtless kissing, all
present backed away coughing, pretending they'd been watching
something else. |
|